2025 WORLD DIABOLO CONTEST

November 7-9. TAIPEI TAIWAN

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A｜比賽總則

1. 器材與品牌
・ 本賽事不限制扯鈴種類或品牌，選手可自備器材。
・ 可攜帶多顆鈴進場、數量不限，但須於比賽開始前自行準備妥當。
・ 比賽中可自由更換扯鈴；但不得由第二人協助解繩或整理器材。
2. 組別與軸承分類
・ 1D / 2D / 3D 分為：定軸組與培鈴組。
・ 其他組別（4D、全能、女子、表演藝術、VD）不分軸承類別
・ 任何組別音樂開始時才能啟動扯鈴
・ VD（直立鈴）組僅能使用單鈴。
・ 1D 組 不可使用直立鈴動作
3. 秩序與安全
・ 嚴禁以扯鈴或器材攻擊他人或物品，違者立即取消資格。
・ 危險動作或對他人造成風險之動作禁止，違者取消資格。
・ 比賽中飛出場外之扯鈴，大會不負保管責任；請選手自備友人協助撿鈴。
4. 報到與出席
・ 選手須依大會指定時間與地點報到。
・ 無故遲到、缺席或違反規範者，主辦單位得取消參賽資格。
・ 所有流程與結果以現場公告為準。
5. 申訴程序
・ 選手若對成績或裁判公平性有疑義，須依大會申訴程序提出，逾時不受理。
・ 申訴流程與時限將於賽前選手手冊公告。

A-1｜ 設備定義與規格

A-1.1 扯鈴之定義
・ 以軸連接兩個位於曲面（半球狀或相近形狀）中心的結構。
・ 置於繩上並以軸為中心施加旋轉時，應能穩定運轉。
A-1.2 比賽用扯鈴規格
・本體（半球或近似形狀）直徑：10–40 cm。
・ 形狀、材質、重量、硬度：於落地（含木質地板）時不致造成明顯損傷。
・硬度參考：以手按壓即可使外形產生變形為宜。
・ 不得對選手或第三者造成重大危險。
A-1.3 比賽用棍與繩
・ 棍：棒狀，15–50 cm
・ 繩：柔性可變形之繩材，直徑 ≥ 0.3 mm、長度 ≥ 30 cm。
・ 形狀／材質／重量不得對場地造成明顯損傷，亦不得危及人員。
A-1.4 合規檢查與現場要求
・大會得於賽前／賽中進行器材檢查；不合規者須立即更換或改善，
否則取消出場資格。
・ 本規格為 WDC 採納之最低標準，適用於各組別（表演藝術組道具不設限制）。

B｜音樂與舞台設備

1. 音樂繳交與計時
・ 音樂檔須於賽前依規定繳交；未提供者將使用大會指定音樂
・ 音樂播放即開始計時；音樂開始前之動作不計分，但失誤仍計入扣分。
・ 內容不得含猥褻、歧視、暴力等不當元素，違者取消資格。
2. 指定音樂（現場預賽）
・ 為公平與流暢，1D / 2D / 3D / 4D / VD
現場預賽須使用大會提供的 5 首指定音樂之一。
3. 舞台硬體
・以大會現場設備為主（含燈光、音響）；入圍後提供設備清單。
・ 若需額外設備，請事先與賽務組聯繫。
・ 比賽中飛出場外之扯鈴，大會不負保管責任；請選手自備友人協助撿鈴。

C｜道具與表演內容

1.道具限制
・除表演藝術組以外其餘組別皆不可以使用道具。
・表演藝術組若需特殊道具與舞台布置，須事先向賽務組申請2. 內容準則
・ 表演不得基於種族、膚色、宗教（信仰）、性別、性別表達、性取向
殘疾、年齡等進行嘲弄、侮辱、傷害或歧視；違者取消資格。

D｜種子選手資格(2023-25)

下列賽事(2023-25)各組冠軍（含：單、雙、三、四、直立鈴、個人舞台、女子舞台）可直接晉級 WDC 各組半決賽（免影片預賽）：・AJDC／OIDC／MOYOSTAGE／AIDC／DMOC／MIDT／USADC／HIDC
・ EJC Battle 冠軍：可擇一 WDC 項目擔任種子
・任何設有年齡上限的組別均不給予種子（例如青少年組、高中生組）。

E｜賽制與時間

・影片預賽 / 現場預賽

・半決賽

・半決賽啟動條件：
若以下條件成立，即啟動半決賽：
影片預賽人數 + 現場外卡人數 +（種子選手人數 × 2） > 20 人

・決賽

F｜評分規則

1.技術執行（T.Ex）
・技術加分：視招式難度與串連變化給與相對應加分
・重複或簡單動作：不計分
・失誤：卡線、打結、停鈴、掉鈴... 等等 每次 -1 分2.技術評價（T.Ev）｜0–10 分 4項
・流暢度／變化度／獨特性／完成度3.表演評價（P.Ev）｜0–10 分 4項
・使用音樂／肢體動作／舞台應用／演出技巧4.1D / 2D / 3D / 4D/ VD/ AD/ WAD 計分比例

5. 1 vs 1 Battle 計分比重
強調技巧難度／原創性／表演性/ 對決感

G｜表演藝術組項目

・藝術性 (30%)
強調表演的美感與舞台張力。評分依據包括主題性、音樂與動作的融合、情感表達、舞台氛圍與整體視覺呈現。・完整度 (30%)
檢視表演是否結構完整，包含開頭、發展與結尾。重點在於流程流暢、銜接自然，以及時間掌握得宜。・ 創意度 (20%)
評估作品的獨特性與新鮮感。包含動作設計、主題設定、道具運用及舞台語彙的創造力。・技術性 (20%)
關注扯鈴技巧的難度與穩定度。評分重點在於技術是否純熟並能支撐表演，而非單純炫技。

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A｜Instruction

1. Equipment & Brands

・No limit on diabolo types or brands. Players can bring their own gear.・You can bring any number of diabolos, but set up everything before your run starts.・You can change diabolos during the run, but no one else may help you fix strings or equipment.

2. Divisions & Axle Types

・1D / 2D / 3D are divided into Fixed-Axle and Bearing groups.・Other divisions (4D, AD, WAD, Performance Art, VD) do not distinguish axle types.・All division the diabolo must start when the music starts.・VD (Vertax) division : one diabolo only .・In 1D divisions, vertax (VD) elements are not allowed.

3. Order & Safety

・Do not use diabolos to hit people or things. This means instant disqualification.・Dangerous moves or moves that risk harm are not allowed. Violators will be disqualified.・If a diabolo flies off the stage, the organizer is not responsible. Please ask a friend to help pick it up.

4. Check-in & Attendance

・Players must check in at the time and place the organizer gives.・If you are late, absent, or break rules without a good reason, you can be disqualified.・All schedules and results follow on-site announcements.

5. Protest Procedure

・Two curved (half-sphere or similar) parts connected by an axle in the center.・When on the string and spun around the axle, it should rotate stably.

A-1｜Equipment Definitions & Specifications

A-1.1 Diabolo Definition

・Two bodies of curved (hemispherical or similar) shape connected by an axle at their centers.・When placed on the string and spun about the axle, it should rotate stably.

A-1.2 Competition Diabolo Specifications

・Body (hemisphere or similar) diameter: 10–40 cm.・Shape/material/weight/hardness should not cause noticeable floor damage (including wooden floors) upon drops.・Hardness guideline: the outer shape should deform under hand pressure.・Must not pose significant danger to the athlete or to others.

A-1.3 Competition Handsticks & Strings

・Handsticks: rod-shaped, 15–50 cm in length.・String: flexible/deformable cord, diameter ≥ 0.3 mm, length ≥ 30 cm.・Shape/material/weight must not cause noticeable damage to the venue and must not endanger people.・The organizer may check equipment before or during the event. If it fails the check, change or fix it at once, or you will be disqualified.・These are the basic WDC standards, used for all divisions (the Performance Art division has no prop limits).

A-1.4 Compliance Checks & On-site Requirements

・The organizer may conduct equipment inspections before/during the event; non-compliant gear must be replaced or corrected immediately, otherwise the athlete will be disqualified.・These specifications are the minimum standards adopted by WDC, applicable to all divisions (no prop restrictions in the Performance Art division).

B｜Music & Stage

1. Music Submission & Timing

・Send your music before the event as required. If you do not send it, the organizer’s provided music will be used (if applicable).・Timing starts when the music starts. Moves before the music do not score, but mistakes still count.・Music must not include obscenity, discrimination, or violence. Violations = disqualification.

2. Designated Music (On-site Preliminaries)

・For fairness and flow, 1D / 2D / 3D / 4D / VD on-site preliminaries must use one of the five designated tracks provided by the organizer.

3. Stage Hardware

・Organizer’s on-site equipment (including lighting and sound) will be used; a detailed equipment list will be provided to finalists.・If additional equipment is required, please contact the competition office in advance.・Diabolos that fly off the stage are not the organizer’s responsibility; athletes should arrange friends to help retrieve them.

C｜Props & Performance Content

1. Prop Restrictions

・No props in all divisions except Performance Art.・For Performance Art: if you need special props or stage sets, apply in advance to the competition office.

2. Content Standards

・Performances must not ridicule, insult, harm, or discriminate based on race, color, religion (belief), gender, gender expression, sexual orientation, disability, or age; violations will result in disqualification.

D｜Seeded Athletes(2023-2025)

・Winners of the following events (divisions including: 1D, 2D, 3D, 4D, VD/Vertax, Individual Stage, Women’s Stage) may advance directly to WDC semifinals (no video prelim required):・AJDC / OIDC / MOYOSTAGE / AIDC / DMOC / MIDT / USADC / HIDC・EJC Battle champion: may choose one WDC event to receive a seed position.・Divisions with age limits (e.g., Youth, High School) do not receive seeds.

E｜Formats & Durations

・Video Preliminaries / On-site Preliminaries

・Semi-Finals

If this condition is met, the semifinals start:Video prelim players + On-site wildcard players + (Seed players × 2) > 20

・Finals

F｜Scoring

1. Technical Execution (T.Ex)

・Technical bonus: awarded according to the difficulty of elements and the variety of connections.・Repeated or simple elements: no score.・Errors: string snag, knot, dead diabolo, drop, etc. → −1 point each.

2. Technical Evaluation (T.Ev)｜0–10 pts × 4 items

・Flow / Variety / Originality / Completion

3. Performance Evaluation (P.Ev)｜0–10 pts × 4 items

・Use of Music / Body Movement / Stage Utilization / Showmanship

4. Scoring Breakdown for 1D / 2D / 3D / 4D / VD / AD / WAD

5. 1 vs 1 Battle — Scoring point

・Emphasis on technical difficulty / originality / performance / battle presence.

G｜Performance Art Division

・Artistic (30%)
Emphasizes aesthetic quality and stage presence. Criteria include theme, music–movement integration, emotional expression, stage atmosphere, and overall visual presentation.・Completeness (30%)
Checks structural integrity—beginning, development, ending. Focus on smooth pacing, natural transitions, and effective time control.・Creativity (20%)
Evaluates uniqueness and freshness: move design, thematic concept, use of props, and innovative stage vocabulary.・Technical (20%)
Focuses on difficulty and stability of diabolo skills. Priority is on mastery that supports the performance rather than pure showboating.

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